DEADBEAR RELEASES NEW SINGLE “SNOW IN TOKYO”

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SINGLE: Snow In Tokyo
IMPACT DATE: 12th May

 

After gaining airplay from key tastemakers like Mary-Anne Hobbs, Eddy Temple-Morris, Jen Long and Ally McCrea and Simon Raymonde; and being featured in music magazine The Wire, DEADBEAR is set to release his third single, Snow In Tokyo.

It’s another beautifully balanced, nuanced and subtly catchy song from the Manchester producer; awash with warm and unusual sounds that conjure a late-night, half-awake dreaminess.

The song was debuted on The Wire’s prestigious Wiretapper compilation, with the accompanying video was debuted on Virgin’s website.

Snow in Tokyo is taken from the Wabi Sabi EP, available from Art Is Hard records.

YOU emerge with a breathtaking video for debut single In Halves

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ASKME -singles-button-small IMPACT DATE: 19th May 2014
LABEL: MUK Records

 

They’re seemingly fully-formed; emerging suddenly with a pristine, spine-tingling song and a breathtaking video.

Where on earth have YOU come from?

And, with In Halves, the band is armed with a video to dazzle eyes, and a pristine, shiver-inducing song, pricked by singer Anna Waldmann’s pin-sharp voice.

So where on earth have YOU come from? Well, north London – but by the way of The Cocteau Twins, London Grammar, The XX and Daughter.

It’s a dazzling and confident first step for the North London band, whose early demos caught the keen ears of tastemakers Simon Raymonde and 6 Music’s Tom Robinson last year, before signing to Manchester’s MUK Records.

“One of the best debut singles I’ve heard in my time!” – Gary Crowley on In Halves

A beautiful, unique voice; a coiling, half-dream of a single; a video hinting at end times. What’s not to love?

Keep your eyes and ears open for YOU…

Who are YOU?

Anna Waldmann
Sam Campbell
Harrison Ball
Massimo Zeppetelli

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MUK Records

YOU live:

16th May – John Kennedy’s X-Posure @ Tooting Tram and Social
May 7th – The Bedroom Bar, Rivington Street, London
1-3 August – Kendal Calling Festival

DEADBEAR selected for The Wire’s Wiretapper album

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Just a few days after Simon Raymonde and Eddy Temple-Morris gave him a spin on Xfm and Amazing Radio, upcoming producer DEADBEAR has found another prestigious fan in the form of highly-regarded underground/outsider music magazine The Wire.

DEADBEAR keeps finding key supporters who can’t wait to play his songs, including Mary-Anne Hobbs, as well as BBC Radio 1’s Jen Long and Ally McCrae.

The April issue of the magazine comes with their Wire Tapper CD attached – and DEADBEAR’s next single, Snow In Tokyo, gets its exclusive debut on The Wire’s CD, before its upcoming release.

DEADBEAR Releases New Single Wabi Sabi and Video

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singlesImpact Date: 30th September 2013
Label: Art Is Hard Records

Crafty young producer DEADBEAR is releasing his new single Wabi Sabi, taken from the EP of the same name.

This release comes after garnering a ton of acclaim from influencers as sharp as Bella Union’s Simon Raymonde, who played DEADBEAR on his Xfm radio show, Mary Anne Hobbs, who played it on BBC 6 Music, Jen Long and Ally McCrae, who spun Wabi Sabi on their BBC Radio 1 show.

Wabi Sabi‘s wonderfully dense and deep new single will please bass enthusiasts and lovers of complex electronic pop alike.

 

Wabi Sabi arrives hot on the heels of his highly-fêted collaboration with Alex Hewett from art-rock darlings Egyptian Hip Hop and his brilliant official remix for Memphis Industries’ Barbarossa.

Nick is something of a musical polymath, having also created a music app for CERN called the Large Hadron Sound Collider, and has worked composing a ‘laptop opera’ with Proto-Type theatre company.

Wabi Sabi refers to a Japanese concept centred on the idea of accepting life’s transient nature, and appreciating flawed beauty.

The Wabi Sabi EP is out now on Art Is Hard Records, and can be purchased with a fabulous a 16 page accompanying ‘zine.

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CLEAR’s debut single “Sunlight” wowing radio DJs and industry taste-makers

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singlesIMPACT DATE: 30th September
LABEL: End of the Trail Records

Clear‘s Sunlight is unexpectedly fresh, yet channelling classic West Coast pop; a new slice of classic songwriting, harking back to a golden age of perfectly-crafted pop songs.

BBC DJs Dermot O’Leary,  Gary Crowley, Tom Robinson, Janice Long and renowned tastemaker Simon Raymonde rushed to play – and heap praise on – their quintessentially pristine tunes. Gary went as far as naming Sunlight one of his “favourite songs of the summer.”

 

Clear have been carefully honing their craft, absorbing the golden-hued hits from the late 60s and early 70s – and trying to figure out what made them sound so timeless.

Thus, Paul Simon, Neil Diamond, James Taylor, Jackson Browne and that classic west-coast feel was temporarily relocated to the grittier locale of Sheffield when Clear penned Sunlight.

It was a song that catapulted them into the hearts of radio tastemakers, who all rushed to get the song on the air; wowed by the warm, dreamy, seemingly long-lost sounds. Listeners could be forgiven for thinking, “haven’t I heard this song before?”

Clear are hugely talented bunch – and when they sent Colin Elliot (producer of fellow Sheffield star Richard Hawley) their songs, he immediately understood their potential.

After Colin finished collaborating with Kylie Minogue at Abbey Road studios, he invited them into his own studio to capture Clear‘s warm, glossy sound. A short, fruitful session followed – and then Sunlight gloriously rose.

Gary Crowley: “Sumptuous pop music. One of my favourite songs of the summer.”

Janice Long‘s “Janice Loves” Radio 2 feature: “I think this is absolutely gorgeous”

Tom Robinson:Sunlight is a piece of classic pop songwriting – in that it could have appealed to audiences anytime in the last 40 years – yet there’s enough 21st Century sensibility in the writing, recording and performance for Sunlight to sound fresh-wrought rather than some kind of retread.”

Simon Raymonde: “Sunlight is like a happy-go-lucky version of Radiohead’s ‘Let Down‘… which is one of my all-time favourite songs.”

Chris Damms, Clear: “We were contacted by Colin Eliot, who is Richard Hawley’s producer and co-owner of Yellow Arch studios where Richard records all his albums. He had played with Andy, our drummer, and said he fancied doing a couple of tracks with us. The result was “Sunlight”. It had a definite west coast vibe; the sound of the late 60’s early 70’s writers. We didn’t want to copy them but just wanted to work out what exactly made those simple songs so timeless.”

Clear are:
Chris Damms – Piano, Guitars, vocals
Jools Buffey – Piano, vocals
Hugh Ruiz – Bass
Bryan Day – vocals, Guitars, Piano, Keyboards.
Andy Cook – Drums

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