“The Winachi Tribe are a phenomenon… there’s no question they have IT!” (Heidi Cuda L.A. Times Entertainment)
A Daft Punk & Nile Rogers fusion of electronic dance club beats, Donna Summer New York disco chic and a dash of Giorgio Moroder synths. – A1 Music
The adrenaline-fuelled groove machine that is The Winachi Triberelease a remix of their debut single ‘Time For Love’ through A1M Records. Initially released five years ago, David Tolan (Primal Scream, Tears For Fears) has given it a thumping update ahead of the release of their debut album in early 2021.
Lead singer, Liam Croker‘s voice is a gritty fusion of the eccentricity of George Clinton, delivered with Shaun Ryder attitude, tempered with a white northern soul funk-rock style, reminiscent of Sly Stone. ‘Time For Love’ is full of swagger and funk. Adding to their unique funkadelia sound is acclaimed percussionist Inder Goldfinger who is best known for his work with Ian Brown and Fun-Da-Mental with his neo-classical tribal rhythmic style.
A 5-year unstoppable journey has led The Winachi Tribe to the suburbs of Hollywood from the urban streets of Manchester through relentless hard work and a good slice of hustling. They’ve jet-set around the world, wowing at festivals and played with Grand Master Flash, Sugarhill Gang & Furious Five and The Happy Mondays. Along the way, they’ve received global radio support and clocked up hundreds of thousands of streams, picked up acclaimed U.S. songwriting awards and appeared in the L.A. Times
The band recently signed to Howie B‘s management company ‘BeeManaged’. Howie is better known as a record producer, musician and collaborator who has worked with artists including Björk, U2, Tricky He said:
“Working with Winachi is an absolute pleasure; their enthusiasm and commitment to their art/songs/funk/soul is infectious and inspiring.”
1 – (new) Working Men’s Club – Working Men’s Club 2 – (new) Sufjan Stevens – The Ascension 3 – Idles – Ultra Mono 4 – Oasis – (What’s The Story) Morning Glory? 5 – (new) The Stone Roses – The Remixes 6 – (new) Melanie C – Melanie C 7 – (new) Denise Johnson – Where Does It Go 8 – Thurston Moore – By The Fire 9 – (new) Queen & Adam Lambert – Live Around The World 10 – (new) Lana Del Rey – Violet Bent Backwards Over The Grass 11 – (new) Roisin Murphy – Roisin Machine 12 – (new) Hunna – I’d Rather Die Than Let You In 13 – (new) Pan Amsterdam – Ha Chu 14 – Michael Kiwanuka – KIWANUKA 15 – (new) Stone Foundation – Is Love Enough 16 – (new) Roger Waters – Us + Them 17 – Deftones – Ohms 18 – New Order – Power, Corruption & Lies 19 – (new) Jonsi – Shiver 20 – (new) The Jaded Hearts Club – You’ve Always Been Here
The Official Charts Company launched the UK Record Store Chart in 2012 to reflect the last decade’s drive to support independent music outlets and the concurrent surge in vinyl sales. It is compiled from the best selling albums at 100 of Britain’s leading independent music shops.
French-born Graffiti Artist, Akse has painted a tribute to Denise Johnson in Hulme, Manchester just before the release of her posthumous album ‘Where Does It Go’ on Friday 2 October.
Denise’s family said: “We’re totally stunned into silence. Really cannot find words for how brilliant this is. We’re genuinely lost for words in the nicest sense”.
BBC producer and close friend of Denise, Natalie-Eve Williams tweeted: “Our girl is on the streets where she grew up. Cannot thank you enough @Akse_P19 for your kindness and generosity”.
Akse is a French-born Graffiti Artist of Vietnamese heritage, based in Manchester since 1997. Akse started painting in 1992 and is a member of the P19 Graffiti Crew. Over the last few years, Akse has focused on freehand High-Definition HD photo-realism graffiti portraits. His work around Manchester always commands people’s attention and often reflects the social, political and cultural mood of the city. His highly acclaimed work is featured in other cities including Liverpool and London.
In 1994 ‘Definitely Maybe‘ by Oasis was released. It was an immediate critical and commercial success and became the fastest-selling UK debut in history at the time. It included the tracks ‘Rock ‘n’ Roll Star‘, ‘Cigarettes and Alcohol‘, ‘Shakermaker‘, ‘Live Forever‘ and ‘Slide Away‘. We [Red Alert Promotions] were there from the start.
I worked with Noel Gallagher before he was in Oasis. We toured together with the Inspiral Carpets; I was merch, and Noel was a roadie. It was an amazing time looking back; it was the height of Madchester.
Following the demise of ‘Madchester’, I started working with Alison and Sue at Red Alert Promotions, a record plugging company with a cool roster that included The Charlatans, KLF, Depeche Mode, Pulp, Suede, The Sugarcubes andNick Caveand The Bad Seeds... It was around this time our friend (and neighbour) Noel decided to join his brother’s band Rain which subsequently became Oasis.
Alison and I saw Oasis play many times in Manchester, including regular support slots at The Boardwalk and Tony Wilson‘s In The City music convention in September 1992 and 93. In ’92 they played The Venue to a handful of people including Gary Davies a DJ on BBC Radio 1 in ’93 they played Canal Bar (both venues are no longer there).
Earlier in May 1993, they played King Tut’s Wah Wah Hut thanks to Debbie from Sister Lovers. She knew Alan McGee and she invited them to play, the rest is history. Soon after Noel announced that Oasis were going to sign to Creation Records. Months later their record contract came through on the Red Alert fax machine. I remember the never-ending fax paper spewing out and folding it up. I put it into an A4 envelope for Noel to collect.
Naturally, Oasis were added to the Red Alert roster and we began promoting the now-classic singles from Definitely Maybe. As part of the campaign, we took Noel and Liam on a promo tour around UK radio stations for interviews. One of the early interviews was with Chris Moyles. He was working at a regional radio station, Signal Stoke. Chris recounts this and still has his CD with a Red Alert promo sticker. The band’s first radio session was for Craig Cash (The Royale Family); he presented a show on KFM in Stockport. Both went on to do very well.
Below is an early TV performance on Yorkshire TV. ‘Something For The Weekend’ was filmed at Leeds Warehouse. Oasis were introduced by Madame Jo Jo – now Jo Jo on Capital Yorkshire. It looks great! Oasis played ‘Shakermaker’, ‘Rock ‘n’ Roll Star’ and ‘Supersonic’ in front of an audience of around 200.
The next tv footage is from America in 2017. CBS News correspondent Anthony Mason visits Noel’s native Manchester. It’s the first time Noel has been back to the city-centre flat where it all started. In the early 90sIndia Housewas inhabited by people who predominately worked in music and the arts including record pluggers, roadies, techies, managers, journalists, photographers, graphic designers, fashion designers, filmmakers, artists, writers andHaciendastaff. You’d sometimes bump into members of The Stone Roses, The Smiths, New Orderand the Pet Shop Boysafter the Hacienda going to parties.
India House – like Manchester – has so much to answer for. It’s where Noel wrote the first two albums. Lyrics such as “As I live my life in the city, there’s no easy way out.” (Rock n Roll Star), “Your music’s shite it keeps me up all night, up all night.” (Married with Children) and “The sink is full of fishes, she’s got dirty dishes on the brain.” (Some Might Say) were written in that building between 1989 and 1994.
IMPACT DATE– 15th September 2014 LABEL– Queen Street Records
Real rebel rockers! – Johnny Marr, The Smiths The best new band in Manchester! – John Robb, Louder Than War
“Why so serious?” Guitar music doesn’t have to be po-faced; and The Minx’s happy-go-lucky sense of fun makes them spiritual successors to carefree power-poppers Supergrass – and, as pointed out by Steve Lamacq – Buzzcocks and The Undertones.
No Friends is a direct descendant of The Undertones’ My Perfect Cousin – with a youthful spirit and the bounciest Hammond hook you’ll have heard in years.
The crowd favourite has been given a fresh lick of paint by award-winning producer Cenzo Townshend (Florence + The Machine, The Vaccines, Primal Scream, Franz Ferdinand) for this release.
Stars of a forthcoming documentary on underground music scenes by The Street‘s Mike Skinner (who enthused about them being “modern Skindom!”), and having appeared in Dr Marten’s TV ad campaign, The Minx’s music, look and exuberance go pleasingly against the grain.
The band continue to sell out every increasingly big show they headline, and are heading further afield to play more packed venues around the UK – including a show at the Brixton Windmill on 22nd August – confirmation of their rapid ascent.
The band‘s biggest headline gig yet, at Manchester’s Ruby Lounge, is on Saturday 23rd August.
The most exciting new band I’ve heard in years! – Pete Jobson, I Am Kloot
I listened to The Minx … decided I liked it and bought it! – Mike Davies, BBC Radio 1
Who are The Minx? Andy Evans (Drums), Chris Haddon (Vox/Guitar), Paul Robinson (Guitar), Steven Stuttard (Bass) & Kieran McIntyre (Keys)
THE MINX live:
27th July – Tramlines Festival, Sheffield 22nd August – Brixton Windmill, London (Headline Show)
23rd August – The Ruby Lounge, Manchester (Headline Show)
30th August – The Rocking Chair, Sheffield (Headline Show)
19th September – Ramsbottom Festival (Headlining second stage)
20th September – The Trades Club, Hebden Bridge (Headline Show)
Tim will be will be accompanied by musicians from the Chetham’s School of Music, alongside bandmate Mark Collins (The Charlatans) on guitar, Martin Duffy from Primal Scream on keyboards and the musical arrangements have been created especially by the celebrated local composer Joe Duddell. Tim says “We heard about the plans at Manchester Cathedral and it was too good to miss. Such an iconic venue and a brilliant idea for a gig, I love gigs in churches but the Cathedral is another notch up. Normally the atmosphere is helped along by the audience enjoying a drink beforehand. I take it there’ll be some altar wine for everyone.”
The night also includes a one off chance to hear Peter Hook and the Light perform the mesmerising music of Joy Division’s ‘Unknown Pleasures,’ to the haunting backing of a 16 piece choir put together specially by Choral Director Greg Batsleer. Hooky’s set is being arranged by film and theatre composer Alex Baranowski. Peter commented “There’s a real detachment from local government in some of these areas. It’s wonderful that local people are being given the opportunity to rise to the challenges. The fact the inspiration for this concert is coming from within these communities is truly awe inspiring. Joy Division’s music is grandiose – just imagine how atmospheric it will sound with those acoustics and the choir.”
Fans of Manchester band Puressence are also in for a treat, listening to the soulful voice of lead singer Jimmy Mudriczki with the choir as part of a full band performance in the 800 year old Cathedral setting.
The line up will be completed by Norway’s Silvert Hoyem and Bad Lieutenant’s Jake Evans, making this an incredible evening of music.
Clare Moreland, the head at Chetham’s School of Music says: “Music for Cities is a superb opportunity for the musicians of Chetham’s to work with some very well known names in the popular music world, sharing their skills and inspiring other young people who are performing and watching the concert.”
Joe Duddell, Professor of Music at Bath Spa University says: “Music enriches all our lives and is not just the preserve of the privileged. For Chets to engage in outreach projects in more disadvantaged communities in and around Manchester and Salford is great. The other charity beneficiaries, United Estates of Wythenshawe and Reclaim directly engage disadvantaged youngsters in creative projects, giving them a vital form of self-expression and keeping them off the streets and away from drugs and gun crime. Some of these youngsters will be performing on stage between the major acts.”
All profits will be split three ways; between the charities Reclaim, and the United Estates of Wythenshawe and Chetham’s School of Music.
Reclaim has won many awards both nationally and locally and is now recognised as one of the core projects delivering quality youth opportunities across Greater Manchester. The project is about helping young people build self confidence and reliance on their own inherent talents that even they may not have realised.
United Estates of Wythenshawe are a charity and social enterprise based who help young people to build opportunity, confidence and sustainable futures that do not involve gang membership, violence or substance abuse.
Chetham’s School of Music will use their share of the profits to help fund their new School Building – an incredible new resource for the city of Manchester where there will be free concerts for the public, a new Outreach and Community Centre to benefit children and adults from all backgrounds and abilities across the region and beyond, and a Music Technology Centre with facilities for everyone too.
Joe Duddell is the composer behind the celebrated collaboration between Elbow and The Hallé for Manchester International Festival back in 2009, and recent broadcast of Richard Hawley & BBC Philharmonic Orchestra on BBC 6 Music. He has also worked with Jimi Goodwin (Doves), James and dubstep pioneers Nero. Joe is also a classical composer with commissions from The BBC Proms.
Alex Baranowski is a film, theatre and dance composer who has worked with the likes of Danny Boyle on Frankenstein, Nicholas Hynter on Hamlet and Ballet Black at The Royal Opera House. Alex recently branched out into the pop world with ‘The xx Symphony’ – a collaboration between The xx and BBC Philharmonic Orchestra.
Within months of forming THE VANGUARDS found themselves recording in The Charlatans’ studio with legendary production duo Dave Tolan and Jim Spencer (Primal Scream, The Charlatans) – the result is Regress – a gritty blast of raw energy blended with a genuine pop melody. It’s a rock/pop hit in the making. THE VANGUARDS’ style of hard edged, sub pop is garnering fans right, left and centre – so much so that Regress became Radcliffe & Maconie’s record of the week, further recognising the bands raw talent.